Cutting Line Designs “A New Dimension” Part 2

It’s beginning to get hot in the sewing room, which means I need to turn on the air conditioning.  I’m pretty stingy with the air, since we live in a fairly moderate climate, but I can’t let that keep me from my sewing, so the air must go on.

I just finished the second version of A New Dimension.  Just to spark your memory, here is the envelope cover:

Here is my version:

I made the longer version this time – the one with the cute collar.  This collar is made by fusing the interfacing in three sections with space between so that you can fold and iron the collar as shown on the envelope cover.  I did it that way, but then I decided I like the collar unfolded A LOT, so I left it that way.  In the future, if I want to change the collar, I can easily do that.

I used the extra small sizing, and there is still plenty of ease in the final jacket.  I made no other alterations except to shorten the length.

I cut a bunch of inches off the length (can’t remember right now, but I’m going to say something like seven).  Because I cut off so much, I made sure I did that at the lengthen/shorten line.  I was still worried about losing the proportions, but I don’t think I did.   I generally don’t look good in a long jacket style, and my intention was to make this a “big shirt” type of jacket.  I think it turned out to have a “swing jacket” vibe.

I used a stretch cotton bottom weight that I got from Marcy Tilton.  It will be a nice layering piece for summer evenings, spring, and fall.  I didn’t put in the pockets, since I’m not much of a pocket girl.

I liked both versions of this pattern, and will probably make it again (especially the last version).  A plus is that THE DONALD (DH) likes it. : )

I’m Not Invisible Anymore!

This is a self-serving and gratuitous post to get my picture on the wonderful Not Dead Yet Style blog.  Thanks so much to Patti for making we women of a certain age visible again!

Now run along and check out my picture. : )

Frixion Pen Disaster

I hesitate to even mention this disaster, because I know what you all will say, “What the heck was she thinking?”  If you don’t know me in real life, let’s just say I like to live life dangerously.  If someone says to me, “you really shouldn’t try that at home”, I probably will.  I’m a bit of a risk-taker.  Enter the Frixion Pen.

I love these pens!  I use them to mark fabric, not ALL fabric, but most fabric.  And they work beautifully!  I can use a really dark colored pen to mark the lightest fabric!  Finally, I don’t have to strain my eyes to find the correct markings on my fabric pieces as I’m sewing.  This is truly marking heaven…or is it?

I’m making a white, yes white, jacket/blouse combo.  The fabric is a lovely cotton-lycra jacquard from Marcy Tilton.  So what color Frixion pen did I decide to use?  Purple, of course.  You know where this is going.

The idea of the Frixion pen is that when you iron the marks, they disappear.  It usually works that way, too.  But I think I’ve discovered a kink.  Whenever I iron away marks accidentally, and then go back over the area to replace the marks, that’s when I have a problem.  Here are some pictures to explain the issue:

Here are the original marks on the fabric:

This is after ironing marks the first time:

See, marks are gone.  Now I replace the marks because I still need them, and this is what happens after I iron the replaced marks:

Holy, moly!  Fortunately, because the fabric is white cotton, I was able to take a bleach-soaked q-tip and bleach out the marks.  Some are coming out better than others:

I’m still working on these.

Will I continue to use the Frixion pens?  Yes indeed.  I’ll just be more careful about double marking.

What are your marking tool disasters?  Misery loves company!

Cutting Line Designs “A New Dimension”

It has been awhile since I have sewn a Cutting Line Design pattern.   Awhile back, these patterns had so much ease, I couldn’t even sew the smallest size without doing some major alterations. That, or just look overpowered in my garment.  But now, they seem to be slimming down a bit, or did Louis just add an extra small size to the patterns?  I don’t know.

I love the instructions on these patterns.  They are very detailed and leave nothing to guess about.  Terrific illustrations go along with the well-written instructions.  And Louise Cutting, the designer, always includes sewing tips that enhance the quality of the final product.

There are two versions in “A New Dimension”.  One is a long jacket/blouse with an interesting collar treatment.  The other is a short jacket with tab closure:

One of the best suggestions in the instructions is how to finish the underarm part of the side seam.  These sleeves are cut-on, and I don’t usually like the way cut-on sleeves hang under the arm.  The instructions say to diagonally clip each side of the seam separately.  Then, as you serge, open up the clips slightly, so that you are actually sergeing air between the clips.  This makes the sleeves hang nicely.  Here is my version, done up in a linen jacquard:

Open:

Closed:

It’s worth it to note that the only alteration I made to this pattern was to shorten the sleeve.  I usually do a narrow shoulder adjustment, if nothing else.  But, this jacket has something Louise calls “military princess seams”, the seams running from front to back.  This gives the illusion of a shoulder line, so I think it works for my narrow shoulders.

This was a very fun project and I highly recommend this pattern.  I am definitely going to sew the longer version…oh, and make some pants to go with this version :).

Travel Clothes 2013

We just got back from Spain, and I wanted to share with you my travel wardrobe.  I was very pleased with what I took this time.  Everything fit in one carry-on size bag (which I can’t carry on because of the dang liquid restrictions).  I don’t know how TSA thinks a woman of a certain age can possibly go on a two week trip with the bottles of liquid one can fit in a quart-size baggie!

I have learned over years of traveling that knits are the easiest to wear, pack, and launder while on the road.  They are comfortable, they fold to nothing, and I can wash them in a hotel sink with Eucalan, a great product that you don’t have to rinse out.  Knits dry pretty fast (it depends on the knit, of course).

I started the travel wardrobe by participating in Elizabeth’s Spring Six-PAC on Stitcher’s Guild.  Here is my completed Six-PAC:

 

Okay, now for pattern numbers, clockwise from top left:  The white top is a frankenmorph of Katherine Tilton’s Vogue 8710 and Vogue 1261.  Vogue 8710 goes to just below the bustline.  The blue top to the right of it is the same frankenmorph.  The only difference is that the pleats on the sleeves are folded inwards instead of outwards like the white top sleeves.  The blue top on the dummy is Vogue 1261 without sleeves.  The gray top is Katherine Tilton’s Vogue 8817.  The blue top on the hanger is Marcy Tilton’s Vogue 8582 (OMG, it’s out of print – when did that happen).  Both of the pants are a modified version of The Sewing Workshop Hudson pants.  I have slimmed them down a bit.

So, that’s 5 tops and two pairs of pants.  You can’t tell from the picture, but the pants are black and brown.  They are made from that indestructible Parisian microfiber knit that Marcy Tilton sells.  I can’t rave enough about this fabric for travel.  I wore these two pairs of pants almost daily on my trip, washed them in Eucalan, hung them to dry (which they easily do overnight), and put them back on again (no ironing).  They are lightweight and cool for a hot climate, as well.  This fabric won’t work for cooler climates.

Those two pairs of pants, and about 10 knit tops were my key wardrobe pieces for two weeks of travel.  Yes, I did take a rain jacket, some shorts for a bike trip, and two lightweight sweaters (one black and one camel) as layering pieces.  Also, I made two dresses out of the microfiber knit and took them as well.

Here are some random pics of me in my travel wardrobe on the trip:

One thing I noticed from these pictures:  As much as I love the crossbody bag for travel, it really isn’t the best look, is it?  I’ll probably continue to use a crossbody, but I might try one with a thicker strap and see how that looks.

We had a wonderful time in Spain.  The people are very friendly, the food is good, and weather was fabulous.  The culture is interesting, so what’s not to like?

Slow But Steady Progress on Vogue 8804

It’s been awhile since I’ve updated you on my progress.  I’ll start at the beginning.

As I said in the last post, it took a long time just to gather the materials.  Once I did that, I realized some of the items were not quite right.  For example, the chain I purchased from somewhere (can’t remember) was too big.  I discover this when I went snoop shopping in the Chanel Boutique at Nordstrom.  I noticed the chain was much smaller and sturdier than the one I had.  Claire recommends a 1/4″ chain, and that may work, but the Chanel chains that I saw were 1/8″.  So, I went in search of a new chain.  This is the one I bought from Susan Khalje Couture:

Moving along, after everything was cut out, thread traced, and marked, it was time to practice buttonholes. The buttonholes were VERY challenging for me, mainly because I’m a perfectionist in my sewing, and I kept trying to get it “perfect”.  After I made the buttonholes, I had to put the whole project away for a few weeks to get some distance from the imperfection of the buttonholes I had created.  As is usual for me, once I went back to the project, I realized that part of the charm of a couture piece MUST be the little imperfections, so I’m okay with the buttonholes at this point:

Once the buttonholes were placed on the front, it was time to quilt the front a prepare the back of the buttonholes, which are made somewhat like a bound buttonhole:

It’s a good thing, too, since the backs of the hand sewn buttonhole are not very attractive.  Here is a picture of the quilting before it is pressed:

Notice the little dart in the lining.  That dart is in the lining only, the public side is actually eased and shaped with heat and steam.  I am learning so much about how couture garments are made, and loving every minute of it!  This type of dart shaping is continued as long, horizontal darts on the front and back pieces to shape the waist.

I’m currently working on quilting the back and shaping the darts there.  More later on the Chanel jacket.

Here is a little side project I worked on during my hiatus from buttonholes.  The inspiration came from Margy on Stitchers Guild.  I don’t know if she made hers or not, but when I saw hers, I had to figure it out.  It’s a unique scarf for a Christmas present:

Here are the instructions, unfortunately without pictures:

1. Cut lengths of knit fabric, about 1″ wide. The length will depend on how long you want the scarf. I would start by wrapping a measuring tape around my neck and measure from there. I think on the one I made, I just cut it 1 yard long because that’s how long my fabric pieces were. But, I do wish it were longer. When you cut the fabric, it will role automatically, either a little bit or a lot, depending on the fabric.

2. You don’t finish the edges. Leave them raw.

3. Let the lengthwise fabric role as it will. Pinch the rolled ends together and sew, overlapping the seams slightly. You now have a long, sort of rolled circle.

4. Make as many of these circles as you want, depending on how thick you want the scarf.

5. Put all of the overlapped seams together, and wrap a piece of rectangular fabric (the band) over them to hide the seams. Hand stitch, making sure you take up some of the circles to hold the little band in place.

Here are some more pictures that might help:

Enjoy!

Vogue 8804 – Chanel Style Jacket

It’s been awhile since I’ve had anything happening in the sewing room that I felt was blog-worthy.  Now, however, I have an EPIC project that I want to document and share.  It’s the new Claire Schaeffer, Chanel style jacket sans motorcycle helmut and leather gloves:

It’s an epic project because of the preparation and sewing techniques involved.  My goal is to greatly improve my sewing skills during the construction of this jacket.  Hope springs eternal.

I bought the fabric during a wild shopping moment in London.  Don’t ever go to Joel & Son unless you want to unload some cash!  It IS a wonderful fabric store, but I’m glad it isn’t located in my town!  The fabric is a beautiful pewter gray boucle with “Chanel” written all over the selvedge.  I don’t really know what that means, except that perhaps the fabric was made for Chanel?

I purchased the lining at this shop, as well.  It’s a gray stripe silk – a beautiful piece that will look perfect with the boucle.

It took several weeks to accumulate the notions and trims, especially the trims.  Here is what was needed:

I had to get silk thread in this exact, sort of odd gray color, silk buttonhole twist in the same color, 1/4″ cotton woven stay tape, gold chain, buttons, interfacing and trim.  Most of that had to be ordered online, since there were no stores in my area that carried these items.  For the trim, I took some of the fabric apart and made a braid.  I made two other braids with some lighter and darker mohair, then I plaited the three braids together.  If I use this braid, I will put a black petersham ribbon under it, since I can’t find a gray ribbon to match.

The other option for the trim, and one I am favoring at the moment, is to fringe the boucle and use that as the trim.  The fringe on the boucle is really pretty, as you can see in the picture, so that may be the one.

I have just finished cutting out and marking the boucle.  Here are the pieces:

Now I am ready to cut out the lining and interfacing.  I am a very slow sewist as it is.  This will take some time, and I intend to enjoy the process.